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It’s music for all sorts, or at least, the curious soul in everyone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Around the making of the album, Fruit Bats had coalesced into a duo with Gillian Lisée and myself. Gillian was my girlfriend at the time and we had gone through kind of a tumultuous start to things and broke up for a time. In the interim I wrote a bunch of bummed-out love songs that ended up on the record. It was sort of like our own mini cocaine-free version of \u003c\/span\u003e\u003cem\u003eRumors\u003c\/em\u003e\u003cspan\u003e. By the time we were making \u003c\/span\u003e\u003cem\u003eMouthfuls\u003c\/em\u003e\u003cspan\u003e in the summer of 2002, we were back on and all was good. She wrote the bridge to \u003c\/span\u003e\u003cem\u003eMagic Hour\u003c\/em\u003e\u003cspan\u003e, which is totally about her. We also co-wrote Track Rabbits together which is still one of my favorite things I've ever done and probably my favorite song on \u003c\/span\u003e\u003cem\u003eMouthfuls\u003c\/em\u003e\u003cspan\u003e. I wrote\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eWhen U Love Somebody\u003c\/em\u003e\u003cspan\u003e at the very last minute right before we started to record. It was kind of the throwaway track, which of course became by far the most popular song on the album and is still probably the most popular Fruit Bats song. But it took me about 3 minutes to write. I still didn’t have lyrics when we recorded it so I just repeated the one verse I’d written, which is how it stands today. Nowadays there are a lot of clappy-stompy cute songs like this that are not so much my bag, but back then I was just trying to make something that sounded like Ray Davies, or even more specifically The Beatles’ \u003c\/span\u003e\u003cem\u003eTwo of Us\u003c\/em\u003e\u003cspan\u003e. 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And for Marihuzka Cornelius a\/k\/a MC, singer, guitarist and songwriter in Bloods, growing up in Western Sydney during that pre-Internet age, it might as well have been another planet. It seemed so far away, so mythic in stature. A sort of paradise, or nirvana, where outcasts, misfits and music reigned supreme. \u003c\/p\u003e\u003cp\u003ePouring through rock mags and staying up late watching music videos on Rage, trying to catch a glimpse of her flannel-clad rock heroes, it would’ve seemed unthinkable to teenage MC that one day she’d be standing in a studio in Seattle about to record with her own band. \u003c\/p\u003e\u003cp\u003eNot just any studio either, but Jack Endino’s Sound House (y’know just the guy who recorded Nirvana’s Bleach, no biggie), with Steve Fisk on production and mixing duties (yep, the dude who’s worked with Soundgarden and Mudhoney) and using the very amp Kurt Cobain played through on his band’s debut record. Oh yeah and guess what, teen MC, Cheryl Waters is playing your band on KEXP, your publishing is signed to Sub Pop and your new EP is coming out on Seattle label Share It Music too. TEENAGE MIND BLOWN. \u003c\/p\u003e\u003cp\u003eSo what do you do when your teenage fantasy becomes reality and the city you’ve loved from afar starts loving you back? You do what any self-respecting 90s tragic would do and dedicate your EP to it, just as MC and her bandmates Dirk Jonker (drums) and Mike Morgan (guitar, bass and backing vocals) in Bloods have done on their free-spirited new EP, Seattle.\u003c\/p\u003e\u003cp\u003e“We first came to Seattle about four years ago and we met so many amazing people. We got signed to Sub Pop Publishing, got played on KEXP, all this unimaginable stuff,” MC says. “It’s funny cos everyone involved in making this EP and supporting it and bringing it to life, with the exception of the band and our manager, are from Seattle so it’s kind of this love letter back to the city that embraced us.”\u003c\/p\u003e\u003cp\u003eClocking in at under 15 minutes, the six-track EP doesn’t waste any time getting down to business. Opening with lead single “U \u0026amp; M E” Bloods confidently mark new territory for themselves. Far moodier than anything the band have presented before, the track coolly balances a playful lyrical conceit against a detached sexiness and the result is arguably Bloods at their brooding, hedonistic best. But there’s plenty of the band people all over the world have come to love as well. From the middle finger waving kiss-off of “The New Guy”, to the buzzsaw sugar rush of “Waste Of Time”, and the Ten Things I Hate About You (set in Seattle btw) homage “I Hate It”, Seattle is dripping in a the wry, couldn’t-care-less attitude that would have been right at home in the Seattle of the 90s. \u003c\/p\u003e\u003cp\u003ePerhaps the track that deals the biggest blow however is “Girls are Just Fucking Cool Like That”. With the opening lines “Well I had a baby, and I’m not dead, no matter what you say\/Yeah she is amazing, but it’s ok I’ve still got dreams inside my head” the song is a celebration of female resilience, with a first verse that touches on MC’s personal experience of how invisible women can be made to feel after they have a baby. “When I run into people I know on the street, so often the first thing they ask me is ‘where’s your kid?’, it’s as though just because I’ve had a child I’ve stopped being a person in my own right.  Like I’m just reduced to being a mum now” MC says. “Don’t get me wrong, I love my kid and love being her mum, but this song is saying women can still continue to dream and grow and live full lives alongside their children, despite their ethnicity or age and who cares what society thinks of you for doing that!”\u003c\/p\u003e\u003cp\u003eSimilarly, Bloods’ idiosyncratic take of The Smiths’ classic “Some Girls are Bigger than Others”, which closes out the EP, reclaims it as a feminist anthem. “I know Morrissey is cancelled,” MC laughs. “But sung from a female perspective this song almost takes on this completely new meaning. As most women know, you literally spend half your life thinking about your weight and thinking about being a certain size and I just love what a literal view it has on something that ruins people’s lives. It felt empowering to sing about it in such a detached way. Like, who cares?!”\u003c\/p\u003e\u003cp\u003eUltimately, casting off society’s expectations and being free to express yourself, while having the best time doing it, is what Bloods are all about. In light of that it makes perfect sense that they chose to call this EP Seattle.\u003c\/p\u003e\u003cp\u003e“Our experience of Seattle so far has been that no one we’ve come across seems to give a fuck about what colour you are, or how old you are or if you’re a girl or any of that shit,” says MC. “It’s just a cool city that embraces creativity and sees the value in that. 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Initially recorded by the band as an offering for their fans to devour while they were between full-length albums,  the majority of ‘Five Dollar’ was recorded in one short, inspired burst on August 1, 1993, between the hours of 9:30 and 10:15 PM (with friend and Fastback Kur(d)t Bloch egging them on from the production booth). They smashed this out in just 45 minutes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt might be the band at their most ‘Stooge-esque’ since there is no flowery imagery; nothing to misinterpret; just in-your-face blunt despair (in that department, Black Flag’s ‘Damaged’ LP comes to mind, especially in Mudhoney’s gleefully punishing highlight: ‘No Song III’). Within two seconds of any of these songs hitting your mind (maybe even within one second), you knew it could only be Mudhoney. 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